The national bestseller. Write. Burn. Repeat. Now with new covers to match whatever mood you’re in. “This book has made me laugh and cry, filled me with joy, and inspired me.” –TikTok user camrynbanks Instagram, WhatsApp, Snapchat, TikTok, VSCO, YouTube…the world has not only become one giant feed, but also one giant confessional. Burn After Writing allows you to spend less tim...(展开全部)

The national bestseller. Write. Burn. Repeat. Now with new covers to match whatever mood you're in. This book has made me laugh and cry, filled me with joy, and inspired me. -TikTok user camrynbanks Instagram, WhatsApp, Snapchat, TikTok, VSCO, YouTube...the world has not only become one giant feed, but also one giant confessional. Burn After Writing allows you to spend less tim...(展开全部)

Philosophy After Deleuze provides a concise and accessible introduction to Deleuze in relation to philosophical inquiry. The book shows how Deleuze's work contributes to contemporary debates in each of the major areas of philosophy: metaphysics, ethics, aesthetics, and political philosophy. Hughes begins by examining Deleuze's style, aiming to explain and justify Deleuze's ofte...(展开全部)

Philosophy After Deleuze provides a concise and accessible introduction to Deleuze in relation to philosophical inquiry. The book shows how Deleuze's work contributes to contemporary debates in each of the major areas of philosophy: metaphysics, ethics, aesthetics, and political philosophy. Hughes begins by examining Deleuze's style, aiming to explain and justify Deleuze's ofte...(展开全部)

Lambert Zuidervaart examines what is living and what is dead in the social philosophy of Theodor W. Adorno, the most important philosopher and social critic in Germany after World War II. When he died in 1969, Adorno's successors abandoned his critical-utopian passions. Habermas in particular, rejected or ignored Adorno's central insights on the negative effects of capitalism a...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier volume "The End of the History of A...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful vo...(展开全部)

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium Appeals to people interested in artist's use of photography and in contemporary art Tracks the efflorescence of photography as one of the most important mediums for contempor...(展开全部)

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier volume "The End of the History of A...(展开全部)